- #Imovie 10.1.4 add text to title software
- #Imovie 10.1.4 add text to title license
- #Imovie 10.1.4 add text to title mac
Unfortunately though, it hasn’t paid off. To Adobe’s credit they are very responsive in their forums and via email. It’s not a capabilities thing, it’s a trust issue with a tool that has failed me dozens of times in so many ways. I definitely let people now what I think about using the NLE when I have to. It costs me money and reputation and that’s bad for business. So much lost productivity that I almost got to a point of refusing jobs that require PPro. There been so many missed deadlines, angry supervisors/producers, clients that won’t return.
#Imovie 10.1.4 add text to title mac
It’s been the same story on Mac Pros, iMacs, Macbook Pros. The bigger it is and longer I work on it the nastier things get.
#Imovie 10.1.4 add text to title software
Apparently on Windows it’s actually stable but for us in the Mac-sphere that’s not the case. I don’t trust the software to let me deliver on time, especially on large or complex projects. I don’t care how many features they have, if it doesn’t work, it doesn’t matter. Aside from the subscription the thing that has really turned me off to the platform has been reliability.They are so integrated into so many workflows they can get away with it but it’s dirty business to me. It has ZERO to do with being able to deliver updates faster/easier. To have access to your work and to stay compatible you have to keep paying them $600 a year. Let’s be honest though, that’s the point, to keep you paying.
#Imovie 10.1.4 add text to title license
As opposed to a license where you can always go back as long as your hardware supports the software. You can save XML for some things but you’re out of luck for the most part. If you ever stop paying them, for example if you switch to another platform, you loose access to all your work on all of their programs. I really, really, don’t like the forced subscription model.
FCP X has key-framable shape and color masks for all effects. FCP X has the Color Board which, while not as advanced, is very intuitive and quick to work with. PPro CC just got the new Lumetri color system which is a big step up for its built in color effects. Magic Bullet has a few extra tools that are nice at times. It’s a lot faster to work with and more accessible then Magic Bullet while still having the tools I need. Though I prefer Color Finale from Color Grading Central personally. They are compatible with both Apple and Adobe suites so there’s no difference there.
I would never use the adjective innovative and Avid in the same sentence though (except this one).ħPresley mentioned wanting to use the Red Giant color plugins. Avid is still widely used due to its being engrained in so many long standing workflows. I came from FCP 7 but haven’t had to use that professionally in 3-4 years. Going back to it now it’s amazing how antiquated it feels/is. While I highly prefer FCP X, I use Premiere when needed.
Of course it’s worthwhile to know various tools. From the smallest family movies upwards to wedding videos, web series, corporate and commercial productions, broadcast television, and Hollywood and otherwise feature films. It’s been proven in every type of production. Unfortunately comments like that still come up. Wether it is capable is not a question anymore. That being said I personally believe FCP X is the best option for most productions, if you know what you are doing with the tool. Unfortunately I don’t know the details of 7Presley’s production workflow or cameras used. Not all productions or workflows have the same requirements so for anyone to say one program or another is the only way to go for everyone is a bit short sighted. This is not an exhaustive comparison, or a bashing session, these are observations and opinions based on user experience. I’ll cover 7Presley’s questions as well as my own thoughts. Everyone has different needs as an editor so I’ll just share my experiences for what they’re worth. Premiere for a Feature I started typing and realized it was so big I might as well make it into an article. This is in response to this question from a current FCP 7 user, 7Presley, looking to update: FCP X vs.